I draw to save myself. I don’t think of myself as an artist in the classical sense, but rather as a person working on their own soul.
I draw when I feel that something inside me is rearranging—when the “matrix” is shifting and I need to see it in order to understand it.
I work with a fine liner because the line is honest. It does not decorate or conceal—it diagnoses and leaves traces of inner tension on the page.
It often takes me time to fully realize what I have experienced, but when I return to a drawing, I see how literally I have taken my state apart into fragments—in order to simplify it and make it easier to accept.
I believe the viewer can recognize themselves in these states.
